![]() So, I just started writing down these notes while I was traveling of things I’d seen and things that had happened. I sat in the van and looked out and I’d been to almost every city anyone could name in the country. And I’d never seen much of the country, I’d been a few places, but suddenly I had driven most of it. ![]() I spent hours and hours sitting in a van. And so, you know, we quickly found ourselves in this weird position as writers of having a kind of touring performer’s life. We’ve done well over three hundred shows in thirty-five states and seventeen countries. And we quickly started touring on a fairly large scale at this point. We actually started doing live shows in September 2013, so we just recently passed the five-year anniversary of touring. We had a lot of knowledge on how to do a live show performance. We all came out of theater, the people making Night Vale-so it was an easy transition for us to start doing live shows. Joseph Fink: I have to start there with Welcome to Night Vale, the first podcast we made. Max Booth III: How was the initial idea of the podcast, Alice Isn’t Dead, conceived? To celebrate its release, Joseph Fink was kind enough to answer a few questions over the phone… Now Alice Isn’t Dead is a novel from Harper Perennial. Gone, for the most part, is the humor wormed into Night Vale, and in its place we instead find the horror significantly intensified. Since its launch, Fink and Cranor have created other podcasts under the Welcome to Night Vale Presents… umbrella, including Fink’s incredibly disturbing three-season serial about a trucker (Keisha Lewis) searching for her wife called Alice Isn’t Dead. In the town of Night Vale, every conspiracy theory is true. A twice-monthly program covering the insane existence of one small desert town, their show provided an entirely new perspective on the comedy-horror genre. In 2012, Joseph Fink and Jeffrey Cranor launched Welcome to Night Vale and changed the podcasting game forever.
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